Not Quite Hollywood: Review!
Strewth, mate, that's a mighty fine doc you got there...
Although the documentary has become one of the most prolific genres in recent years, it is also one of the most potentially problematic. In this age of readily available technology anyone can pick up a camera and wax lyrical about any subject they choose, but it still takes some serious film-making talent to make said subject accessible and entertaining for a wider audience. With Not Quite Hollywood, Mark Hartley proves he is such a director – and then some.


Classic Australian shockers Patrick and Turkey Shoot
Hartley's breakneck look at Australian exploitation cinema is fascinating, insightful and fun in equal measure. His riotous journey begins in 1971 when, with the introduction of the R-certificate, the landscape of Australian cinema changed overnight; Ozzie theatres began to heave with home-grown, experimental art house films, such as Peter Weir’s Picnic at Hanging Rock, gut-busting schlockers, including Brian Trenchard-Smith’s Turkey Shoot and gnawing, post apocalyptic nightmares like the seminal Mad Max.

Indeed, by the time Hartley’s film screeches to a halt, you’ll certainly have been won over too. Not only does it celebrate a lesser-known faction of international cinema, it also pays homage to its creators without fawning, and introduces a new audience to the delights of Australian cinema without dictating. It’s a triumph of documentary making, and a truly entertaining movie in its own right.
5 stars

Director & Screenplay Mark Hartley
Certificate 18
Running Time 99 mins (approx)
Not Quite Hollywood is showing at London's ICA from March 13 to 26th (www.ica.org.uk), and is also released on DVD on March 30th from Optimum Releasing
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